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Roman comedy: Five Plays by Plautus and Terence


Roman Comedy

Five Plays by Plautus and Terence

David Christenson

 

2010 • 978-1-58510-319-5 • paper • 348 pages •  6 x 9  •  $18.95

 

Menaechmi, Rudens, Truculentus,
  Adelphoe, and Eunuchus
| About the Authors | Table of Contents | Preface | Review
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 Description                                             

David Christenson brings both his scholarly background and years of teaching to these five new translations of Rome's finest comic playwrights. These five plays, Menaechmi, Rudens, Truculentus, Adelphoe, and Eunuchus provide an introduction to the world of Roman comedy by two of its best practicioners. As with all Focus translations, the emphasis is on a handsomely produced, inexpensive, readable edition that is close to the original, with notes and an extensive introduction, notes and appendices.

 

 

 Author                                                    

David Christenson is Associate Professor of Classics at the University of Arizona, where he has won awards for both teaching and advising. His first volume of translations, Plautus: Casina, Amphitryon, Captivi, Pseudolus, was published by Focus Publishing in 2008. He is also the author of an edition with commentary of Plautus’ Amphitruo and a forthcoming edition and commentary of Plautus’ Pseudolus.

 

 Table of Contents                                      

Introduction

      The Five Plays:

      Menaechmi ("The Menaechmus Brothers")

      Rudens ("The Rope")

      Truculentus ("The Fierce One")

      Adelphoe ("The Brothers")

      Eunuchus ("The Eunuch")

Menaechmi

Rudens

Truculentus

Adelphoe

Eunuchus

Appendix I: Olympian Deities Mentioned in the Five Plays

Appendix II: Currency Referred to in the Five Plays

Appendix III: Correspondence between the Scene Numbers
Used in the Five Plays and the Renaissance Act & Scene
Numbers

 

 From the Introduction                         

Plautus (ca 254-184 BCE) and Terence (fl. 166-60 BCE) are enormously important figures in western comedy. As Rome began to establish its hegemony over the ancient Mediterranean basin, these two popular comic poets entertained Roman audiences in successive generations. Latin literature was still in its formative years, and Rome was in an early stage of becoming a cosmopolitan city. Plautus’ plays continued to be performed for centuries after his death. Revivals of Terence’s plays were less common, though their survival was ensured by their central position in the educational curriculum, thanks to the simple elegance of Terence’s Latin and his plays’ perceived morally upright content. Plautus’ more boisterous comedies, despite their linguistic extravagances and their portrayals of dubious morality, likewise survived through continuous copying down to the Renaissance, where they enjoyed a great revival of interest. The works of Plautus and Terence went on to influence scores of dramatists in the European tradition, including such luminaries as Shakespeare and Molière. The extremely successful Broadway musical and film A Funny Thing Happened on the Way to the Forum is a pastiche of several Plautine plays, and the entire television sit-com genre is much indebted to the tradition of Greek and Roman New Comedy as it is represented chiefly by Plautus and Terence.

The five plays translated here provide a representative sample of the rich and varied comedy in Latin that delighted audiences in Rome during the culturally tumultuous first half of the 2nd century BCE.

 

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